In the words of the great Mr. Slinger, the wise teacher in the picture book Lilly’s Purple Plastic Purse, “Wow, all I can say is wow.” That simple exclamation is about all I have left to communicate the shock I’m feeling after reading this extended comic book designed to introduce us to postmodernism. I can honestly say that I’ve never read a book like this one. No table of contents. No chapters. No end to the black and white cartoon illustrations and use of captions to make the authors’ points. My eyes are tired, but not from reading a lot of words. My eyes are as tired as if I had just stared at a television for a few hours. In many ways, that’s what reading this book is like. With multiple images on every page, it is visually over-stimulating. Obviously the authors had a pedagogical purpose in mind with this bold new form of page layout, but I’m left too exhausted to figure it out.
There are actually three major sections in the book, each surveying the genealogy of something postmodern: first art, then theory and finally history. In terms of art, the book is helpful to understand why some people call strange things “art”. I’m hopeful that I’ll be a better student of this “art” the next time I visit Daniel Leibeskind’s new pavilion at the
Here is one of the most helpful quotes from the chapter surveying Postmodernism’s history. “This is the postmodern paradox – doubt which is itself in doubt and which therefore ought to be more tolerant of others beliefs (but isn’t, really).” (159)
Don’t let this book fool you. There is a real metanarrative that offers hope, meaning and love – things that we were made for but that postmodernism ultimately strips away from humanity. That overarching story is God’s story, the metanarrative of the redemption of a fallen creation that starts in Genesis and ends in Revelation.
Introducing Postmodernism, Richard Appignanesi & Chris Garratt, Icon Books, 2004
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